Announcing winners of 2020 Richard Rogers Fellowship, the Wimbledon House’s residency program for architectural and urban research
宣布2020年理查德罗杰斯奖学金的获奖者，温布尔登宫的建筑和城市研究居住计划
January 10, 2020 by Travis Dagenais
2020年1月10日Travis Dagenais
Harvard Graduate School of Design is pleased to announce the six winners of the 2020 Richard Rogers Fellowship, a residency program at the Wimbledon House in London, the landmarked residence designed by Lord Richard Rogers for his parents in the late 1960s. Now entering its fourth cycle, the Fellowship is inspired by Lord Rogers’s commitment to cross-disciplinary investigation and engagement, evident across his prolific output as an architect, urbanist, author, and activist.
哈佛大学设计研究院很高兴宣布2020年理查德罗杰斯奖学金的六位获奖者，该奖学金是伦敦温布尔登宫的一个居住项目，温布尔登宫是理查德罗杰斯勋爵在20世纪60年代末为父母设计的地标性住宅。现在进入第四个周期，奖学金的灵感来自罗杰斯勋爵致力于跨学科的调查和参与，从他作为建筑师、城市学家、作家和活动家的丰硕成果中可见一斑。
The six fellows named for the 2020 cycle were chosen from more than 150 applicants from around the world. In addition to a three-and-a-half-month residency, each fellow receives travel expenses to London and a $10,000 cash purse. They will pursue research on a variety of issues, including allocation of parking around new buildings in London, the formal consequences of building booms on the city’s urban fabric, and the civic imaginaries that may be gleaned from building code.
这6名入选2020年周期的研究员是从来自世界各地的150多名申请者中选出的。除了三个半月的居留权，每个人还可以得到前往伦敦的旅费和1万美元的现金包。他们将继续研究各种各样的问题，包括伦敦新建筑周围的停车位分配、建筑热潮对伦敦城市结构的正式影响，以及可能从建筑法规中获得的公民想象力。
The GSD introduced the Richard Rogers Fellowship in October 2016, and named its inaugural class of fellows in February 2017. Since its inception, the Richard Rogers Fellowship has drawn scholars from a range of fields and backgrounds to London, where they have engaged with that city’s great research and design institutions.
GSD于2016年10月推出Richard Rogers奖学金，并于2017年2月命名了首届奖学金班。自成立以来，理查德罗杰斯奖学金吸引了来自不同领域和背景的学者来到伦敦，在那里他们与伦敦的伟大研究和设计机构进行了合作。
2020 RICHARD ROGERS FELLOWS (biographies and abbreviated project proposals appear below):
2020年理查德·罗杰斯研究员（以下为传记和项目建议书摘要）：
Spring 2020
2020年春季
Timothy Ivison (Los Angeles, CA)
蒂莫西·艾维森（加利福尼亚州洛杉矶）
Emma Letizia Jones (Zurich, Switzerland)
艾玛·莱蒂齐亚·琼斯（瑞士苏黎世）
Summer 2020
2020年夏季
Sean Canty (Cambridge, MA)
肖恩·坎蒂（马萨诸塞州剑桥市）
Michelle Chang (Cambridge, MA)
Michelle Chang（马萨诸塞州剑桥市）
Fall 2020
2020年秋季
Thomas Shay Hill (Somerville, MA)
托马斯·谢希尔（马萨诸塞州萨默维尔）
Henry Grabar (Chicago, IL)
亨利·格拉巴（伊利诺伊州芝加哥）
The 2021 Richard Rogers Fellowship cycle will begin accepting applications in October 2020.
2021年理查德罗杰斯奖学金周期将于2020年10月开始接受申请。
The 2020 Richard Rogers Fellowship Selection Committee was co-chaired by Mohsen Mostafavi and Sarah Whiting, and included Eve Blau, Ricky Burdett, Hanif Kara, Niall Kirkwood, Farshid Moussavi, Irénée Scalbert, and Simon Smithson.
2020年理查德·罗杰斯奖学金选拔委员会由莫森·莫斯塔法维和莎拉·惠廷共同主持，成员包括伊芙·布鲁、里奇·伯德特、哈尼夫·卡拉、尼尔·柯克伍德、法什德·穆萨维、伊恩·斯卡伯特和西蒙·史密斯森。
About the 2020 Richard Rogers Fellowship Winners and Proposals
关于2020年理查德罗杰斯奖学金得主和提案
Spring 2020 Fellows:
2020年春季研究员：
Timothy Ivison (Los Angeles, CA): Counter Constructs
Timothy Ivison（加利福尼亚州洛杉矶）：反构造
Timothy Ivison is a writer and researcher living in Los Angeles. His work is concerned with the history and political ecology of cities, with a recent focus on post-war redevelopment in London and Los Angeles. He has taught a number of interdisciplinary seminars on biopolitics, crowd theory, and urban history, most recently at the Southern California Institute of Architecture (SCI-Arc) and Art Center College of Design. His urban research is also informed by a sustained engagement with contemporary art, artist-run spaces, and self-organized institutional practices. Recent collaborations with the artist Julia Tcharfas include the exhibition 710 at Before Present, Los Angeles; The Tick Memorial Library at Magic Hour, Twentynine Palms; and Science of Rehearsal at the Swiss Institute, New York.
蒂莫西·艾文森是一位生活在洛杉矶的作家和研究员。他的作品关注城市的历史和政治生态，最近关注的是战后伦敦和洛杉矶的重建。最近，他在南加州建筑学院（SCI-Arc）和艺术中心设计学院（Art-Center College of Design）教授了许多关于生物政治学、人群理论和城市历史的跨学科研讨会。他的城市研究还得益于与当代艺术、艺术家经营的空间和自我组织的制度实践的持续接触。最近与艺术家Julia Tcharfas的合作包括：在洛杉矶举行的展览710；在魔术时刻的Tick纪念图书馆，二十九棕榈；在纽约瑞士研究所进行的排练科学。
Ivison received a BA in Visual and Critical Studies and a BFA in studio practice from the School of the Art Institute of Chicago and completed his PhD at the London Consortium, Birkbeck College, University of London in 2017. From 2014 to 2016, he was an Andrew W. Mellon Foundation Researcher at the Canadian Centre for Architecture.
艾文森获得芝加哥艺术学院视觉与批判研究学士学位和工作室实践学士学位，并于2017年在伦敦大学伯克贝克学院伦敦财团（London Consortium）完成博士学位。2014年至2016年，他是加拿大建筑中心安德鲁·梅隆基金会研究员。
Ivison’s proposal Counter Constructs investigates the material history of a series of planning conflicts that took place within London in the late 1960s and 1970s. Focusing on the transition from post-war reconstruction to speculative redevelopment, the project points to a remarkable pattern in which communities worked with architecture students, legal advisors, ex-planners, and advocacy groups to create alternative visions of the city. Emphasizing the visual artefacts of these struggles, the project documents the production and counter-production of plans, models, and exhibitions by community groups using the visual tools of planning and architecture to challenge the redevelopment agenda and the terms of participation.
艾文森的“反建设”计划调查了20世纪60年代末和70年代在伦敦发生的一系列规划冲突的物质历史，该项目指出了一个显著的模式，即社区与建筑专业学生、法律顾问、前规划师和倡导团体合作，创造城市的另类愿景。该项目强调这些斗争的视觉艺术品，记录了社区团体利用规划和建筑的视觉工具制作和反制作计划、模型和展览，以挑战重建议程和参与条件。
Emma Letizia Jones (Zurich, Switzerland): Built by the Book
艾玛·莱蒂齐亚·琼斯（苏黎世，瑞士）：根据书建造
Emma Letizia Jones is an Australian-born architectural historian and writer. She was educated at the University of Sydney and the Architectural Association, London, and obtained her PhD in 2016 from the University of Zurich with the thesis Schinkel in Perspective, a new account of the drawing practice of the Prussian architect Karl Friedrich Schinkel. She has also been a design studio director at the EPF Lausanne. Alongside developing her PhD thesis for publication, Jones teaches the history and theory of architecture (1450-1850) at the GTA Institute, ETH Zurich, in the Chair of Prof. Maarten Delbeke, and is a founding member of TEN, winners of the Swiss Art Awards for architecture in 2018. Her current research is focused on the translations occurring between architecture and its drawn and printed representations with a focus on early-19th-century Britain and Germany; and the relationship between books and buildings in architectural culture. Jones’s writing has appeared in AA Files, San Rocco, Architectural Histories, and Architectural Review, among other publications, and she has organized exhibitions and teaching workshops in Switzerland, Italy, the UK, and Australia.
艾玛·莱蒂齐亚·琼斯是澳大利亚出生的建筑历史学家和作家。她曾在悉尼大学和伦敦建筑协会接受教育，并于2016年在苏黎世大学获得博士学位，论文是《展望中的辛克尔》，这是普鲁士建筑师卡尔·弗里德里希·辛克尔绘画实践的新叙述。她还曾在EPF洛桑担任设计工作室主任。在发表博士论文的同时，琼斯还在苏黎世GTA学院（ETH Zurich）教授建筑史和理论（1450-1850），由Maarten Delbeke教授担任主席，是2018年瑞士建筑艺术奖（Swiss Art Awards for architecture）十大获奖者的创始成员。她目前的研究主要集中在19世纪早期的英国和德国，以及建筑文化中书籍和建筑之间的关系。琼斯的作品出现在AA档案、圣罗科、建筑史和建筑评论等出版物中，她还组织了瑞士、意大利、英国和澳大利亚的展览和教学研讨会。
Jones’s proposal Built by the Book: The Global Impact of the Building Manual and Trade Catalogue in Nineteenth Century London is a study of the global dissemination of the English “building manual” and the “trade catalogue”: new types of architectural books which emerged in mid-nineteenth-century London as both a response to, and driver of, the rapid speculative development of the city’s housing stock. The research conducted while staying at the Wimbledon House will look critically at a selection of these commercial publications currently held at the Victoria and Albert Museum National Art Library and a group of other London-based archives, to understand how they emerged from a long line of books about building and ornamentation stretching back to at least the 16th century, while also investigating how they continue to inform the development of housing policy and the standardization of housing, both new and old, across London. This study is part of a wider research project supported by the Swiss National Science Foundation and the University of Technology Sydney.
琼斯的建议是由这本书建立的：十九世纪伦敦建筑手册和贸易目录的全球影响是对英语“建筑手册”和“贸易目录”的全球传播的研究：十九世纪中叶伦敦出现的新型建筑书籍，既是对它的回应，也是对它的推动其中，本市住房存量投机发展迅速。这项在温布尔登宫进行的研究将对目前在维多利亚和阿尔伯特博物馆国家艺术图书馆（Victoria and Albert Museum National Art Library）和其他一些伦敦档案馆（London based archives）收藏的一系列商业出版物进行批判性研究，以了解它们是如何从一长串关于建筑和装饰的书籍中脱颖而出的至少到了16世纪，同时也在调查他们如何继续为整个伦敦的住房政策的发展和新老住房的标准化提供信息。这项研究是瑞士国家科学基金会和悉尼理工大学支持的一个更广泛的研究项目的一部分。
Summer 2020 Fellows:
2020年夏季研究员：
Sean Canty (Cambridge, MA): Before Images, After Pictures, and Somewhere In-between
肖恩·坎蒂（马萨诸塞州剑桥）：图片前，图片后，介于两者之间
Sean Canty is a designer and Assistant Professor of Architecture at the GSD, where he teaches architectural design in the school’s core design studios. Canty's teaching, research, and practice explore unexpected forms of visuality, motivated by architectural type and geometry. Exploring the interrelationships between interior, envelope, and building, Canty explores montage as a spatial practice.
肖恩·坎蒂（Sean Canty）是GSD的设计师兼建筑助理教授，在该校的核心设计工作室教授建筑设计。坎蒂的教学、研究和实践探索了由建筑类型和几何学激发的意想不到的视觉形式。探索内部，信封和建筑之间的相互关系，坎蒂探索蒙太奇作为一个空间实践。
Canty is also one of the founding principals of Office III (OIII), an experimental architectural collective based in New York, San Francisco, and Cambridge. Office III was selected in November 2016 as a finalist for the Young Architects Program at MoMA PS1. They have also recently completed the Governors Island Welcome Centre for The Friends of Governors Island and exhibited at the Museum of Modern Art, the Storefront for Art and Architecture, the Cooper Union, and the A+D Museum in Los Angeles. Before establishing these two respective practices, Canty was a Project Designer at IwamotoScott Architecture in San Francisco, during which he led projects including the Pinterest headquarters, Bloomberg TechHub, the Goto House, Noe Valley House, and HeavyBit Industries. He received an MArch from the GSD and a BArch from California College of the Arts.
坎蒂也是Office III（OIII）的创始人之一，这是一个位于纽约、旧金山和剑桥的实验性建筑集体。Office III于2016年11月被选为MoMA PS1青年建筑师项目的决赛选手。他们最近还完成了州长之友岛欢迎中心，并在现代艺术博物馆、艺术和建筑店面、库珀联盟和洛杉矶A+D博物馆展出。在建立这两个各自的实践之前，Canty是旧金山IwamotoScott建筑公司的项目设计师，期间他领导了包括Pinterest总部、Bloomberg TechHub、Goto House、Noe Valley House和HeavyBit Industries在内的项目。他收到了GSD的游行和加州艺术学院的酒保。
Canty’s proposal, Before Images, After Pictures, and Somewhere In-between, is a speculative exploration in revisiting the 18th-century English Picturesque tradition. In revisiting this aesthetic discourse, the research aims to tease out the spatial, perceptual, and representational techniques for application in contemporary practice. The development of the research will happen through the construction of a visual catalog of picturesque strategies developed through written, visual, and formal analysis by surveying critical picturesque landscapes through the lens of three themes: the fragment, view constructions, and filtered forms.
坎蒂的建议，在图像之前，图片之后，以及介于两者之间，是一个重新审视18世纪英国如画传统的推测性探索。在重新审视这一美学话语时，本研究旨在梳理出在当代实践中应用的空间、知觉和表现手法。研究的发展将通过构建一个通过书面、视觉和形式分析制定的如画策略的视觉目录来实现，通过从碎片、视图构造和过滤形式三个主题的视角来调查关键的如画景观。
Michelle Chang (Cambridge, MA): Reframing Urban Imaginaries
Michelle Chang（马萨诸塞州剑桥）：重塑城市形象
Michelle Chang directs JaJa Co and teaches architectural design at the GSD. She founded her independent practice in 2014 after working in offices in New York, Boston, and San Francisco. Her design work experiments with the overlaps between and among film, installation, music, and building.
Michelle Chang指导JaJa Co，并在GSD教授建筑设计。2014年，她在纽约、波士顿和旧金山的办事处工作后，创立了自己的独立诊所。她的设计工作实验电影、装置、音乐和建筑之间的重叠。
Chang holds an MArch from the GSD and a BA in international relations from Johns Hopkins University. She is a former MacDowell Colony Fellow, Wortham Fellow, and a recipient of the Architectural League Prize for Young Architects + Designers. In her research, Chang studies how optics, digital media, and modes of cultural production influence translations between design and building. Before teaching at Harvard GSD, she taught at Rice University, the University of California Berkeley, California College of the Arts, and Northeastern University.
张先生拥有GSD的游行队伍和约翰霍普金斯大学的国际关系学士学位。她是前麦克道威尔殖民地研究员，沃瑟姆研究员，并获得建筑联盟奖的年轻建筑师+设计师。在她的研究中，张研究了光学、数字媒体和文化生产方式如何影响设计和建筑之间的翻译。在哈佛商学院任教之前，她曾在莱斯大学、加州大学伯克利分校、加州艺术学院和东北大学任教。
In her Richard Rogers Fellowship proposal, Chang posits that, already embedded within building codes is a civic imaginary. Professional guidelines established by governments and non-profit associations project conceptual and material potentials for the environment. She speculates that architects can more creatively engage these imagined futures by translating legal descriptions to semantic images.
在她的理查德罗杰斯联谊会提案中，张假设，已经嵌入到建筑规范中的是一个公民想象。各国政府和非营利协会制定的专业指导方针对环境的概念和物质潜力进行了预测。她推测，建筑师可以通过将法律描述翻译成语义图像，更具创造性地利用这些想象的未来。
Fall 2020 Fellows:
2020年秋季研究员：
Thomas Shay Hill (Somerville, MA): Cycles of Urban Form
托马斯·谢希尔（马萨诸塞州萨默维尔）：城市形态的循环
Thomas Shay Hill is an urban historian and PhD candidate at the GSD. Hill’s research focuses on the boom-bust cycle of urban development: a process that is at once recurrent and unpredictable. Hill is interested in the role of this process in shaping and reshaping the urban environment. He focuses in particular on the relationship between building booms and the formation of new construction techniques, architectural styles, building types, and centers of activity on the urban fabric. Hill focuses as well on the destructive implications of the construction cycle: in accelerating the obsolescence of existing buildings, typologies, and places, and in giving way to “busts” that entail vacancy, devaluation, and bankruptcy. Hill is primarily interested in the formal and spatial implications of this irregular historical process.
托马斯·谢希尔（Thomas Shay Hill）是一位城市历史学家，也是GSD的博士候选人。希尔的研究集中在城市发展的繁荣-萧条周期：一个同时又是反复和不可预测的过程。希尔对这个过程在塑造和重塑城市环境中的作用感兴趣。他特别关注建筑繁荣与新建筑技术、建筑风格、建筑类型和城市结构活动中心形成之间的关系。希尔也关注建筑周期的破坏性影响：加速现有建筑、类型和地点的陈旧，并让位给“空缺”，导致空缺、贬值和破产。希尔主要感兴趣的是这个不规则的历史过程的形式和空间含义。
Hill’s professional background is in planning, design, and construction in New York City. His writing has been published in the Journal of Urban History, Environmental Research Letters, the Urban History Association’s blog Metropole, and the Routledge anthology Architecture and the Smart City. His research has received generous support from the Canadian Centre for Architecture, the Harvard Graduate Society, and the GSD. Before coming to Harvard, Hill completed a BA in Urban Studies from Columbia University.
希尔的专业背景是纽约市的规划、设计和建筑。他的作品发表在《城市历史杂志》、《环境研究快报》、城市历史协会的博客Metropole、Routledge选集《建筑与智慧城市》上。他的研究得到了加拿大建筑中心、哈佛研究生会和GSD的慷慨支持。在来到哈佛之前，希尔在哥伦比亚大学获得了城市研究的学士学位。
During his residency, Hill will advance his dissertation research by studying the formal consequences of building booms on the urban fabric of London. A major focus of Hill’s research is the 1980s office development boom, a global phenomenon that witnessed the birth of Canary Wharf as an alternative commercial district to the City of London. Hill plans to access historical records on London’s urban fabric—including maps, plans, construction documents, and property records—from the London Metropolitan Archives and the National Archives at Kew.
在居住期间，希尔将通过研究建筑繁荣对伦敦城市结构的正式影响来推进他的论文研究。希尔研究的一个主要焦点是20世纪80年代的办公室发展热潮，这是一个见证了金丝雀码头作为伦敦金融城的替代商业区诞生的全球现象。希尔计划查阅伦敦城市结构的历史记录，包括伦敦大都会档案馆和英国皇家大学国家档案馆的地图、平面图、建筑文件和财产记录。
Henry Grabar (Chicago, IL): Paved Paradise
亨利·格拉巴（伊利诺伊州芝加哥）：铺就的天堂
Henry Grabar is a staff writer at Slate who writes about cities. His work has also appeared in the Atlantic, Architectural Record, the Guardian, the Wall Street Journal, and other publications, and his research on the urban landscape of Algiers after 1962 was published in the journal Cultural Geographies. In 2018, his story on immigrants in in the meatpacking town of Fremont, Nebraska was a finalist for the Livingston Award for National Reporting by a journalist under 35. He was the editor of the Future of Transportation anthology (Metropolis Books, 2019) and is writing a book about parking for Penguin Press. He has a BA from Yale in French and American Studies, and he lives in Chicago.
亨利·格拉巴是斯莱特公司的一名职员，他写的是城市。他的作品还发表在《大西洋月刊》、《建筑记录》、《卫报》、《华尔街日报》等出版物上，1962年后他对阿尔及尔城市景观的研究发表在《文化地理》杂志上。2018年，他在内布拉斯加州弗里蒙特（Fremont）肉类加工镇（meatpacking town）讲述的移民故事被一名35岁以下的记者评为利文斯顿全国报道奖（Livingston Award）的决赛入围者。他是《未来交通选集》（Metropolis Books，2019）的编辑，正在为企鹅出版社写一本关于停车的书。他拥有耶鲁大学的法国和美国研究学士学位，住在芝加哥。
As Grabar observes: In the early 2000s, London stopped requiring new buildings to include parking spots. Between 2004 and 2011, the city constructed 144,000 fewer spaces than it would have under the old laws—in square footage, the equivalent of foregoing 20 Empire State Buildings worth of parking spots, not including the years since 2011. With his proposal Paved Paradise, Grabar will explore how this decision has changed the capital’s architecture, neighborhood character, housing costs, and commuting patterns, and will draw on London's experience to project what might be in store for the dozens of cities now following in its footsteps.
正如格拉巴观察到的那样：在21世纪初，伦敦不再要求新的建筑包括停车位。2004年至2011年间，该市建筑面积比旧法律规定的减少了14.4万平方米，相当于前20座帝国大厦的停车位价值，不包括2011年以来的年份。格拉巴尔的提案《铺就的天堂》（Paved Paradise）将探讨这一决定如何改变了伦敦的建筑、街区特征、住房成本和通勤模式，并将借鉴伦敦的经验，预测未来几十个城市可能会出现的情况。
